Two days dyeing fabric for my new collage of fields of Viper's Bugloss at Boscregan Farm on the coast of Cornwall on a summer's evening. A welcome focus on warmth and colour.
Daffodils are bursting into bloom in my meadow and here is an evocation of my orchard early in the morning. For more details http://amandarichardsonartist.com/content/spring-meadow-daffodils-and-fr...
Mahonia in yellow jug. Just treated myself to this jug and am entirely in love with it. Mahonia seemed the perfect flower, echoing the chartreuse of the glaze.
At 24 x 20cm this is a tiny painting for me. The smaller I get the slower the painting.
The kantha shawl comes from my trip to India three years ago, the rowan berries from a tree grown from a berry. I love associations of objects with memories, and this series of still life paintings will be loaded.
My first still life painting. Very much a midwinter composition.
With the edition of Michaelmas Daisies in the foreground you can see how the composition links together. Only fine details remain to be added. I often spend days on this fine-tuning.
The complex layering of the background makes a huge difference to the final sense of richness and depth in a collage. Here I am working with grasses and Michaelmas daisies.
A cheering site for a gloomy December day and just what I need for my new collage. This plant has shifted its name several times through my lifetime and has currently settled on Hesperantha coccinea. Let us hope, by writing it here I can keep it in my head.